The art style and characteristics of Ba Zhong Grottoes
    In addition to Buddhist statues unique rituals, the Buddha in a number of secular figures such as carving, the craftsmen used their time, the local social reality in a variety of characters as a basis for carving and painting, actually appeared in defending king wearing straw sandals , ridicule in loud voice to write down net profit for the image of women of the Tang Dynasty.

    The shape of God, in both image and spirit sides. Craftsmen were very attentive to the co-ordination through the five senses statues, figures and other potential posture sweeping the overall structure of carving to reveal the character's inner world. The characters with a different personality and look, the Buddha's solemn Buddha of compassion, kindness disciples, as well as law-enforcement king, the mighty and fierce power of soil, made a full expression.

    Craftsmen were the statues carved in order to build the main characters, but they are focused niche lintel carving, painting. Designed a lot of house-shaped shrine, carved flowers, animals, gods and of Buddha and other patterns. Enhanced decorative, and in line with the main statue, the expression of the Buddhist subject matter played a supporting role.
   

    The color is beautiful, and green, red, white, pink, blue, scarlet color of paint, so that a fresh feeling of boundless momentum. It is understood that the coloring carried out between the loaded color, has yet renovated, but still shiny, which is rare in the country.

    The grotto art, mostly works of the Tang Dynasty period, which is China's ancient wisdom the crystallization of the working people. When people enter these caves resort, will be the color of those magnificent birds attracted by the intoxicated, the conquered. Ba Zhong cave is not only physical witness to the ancient civilizations, but also we study our history, culture and arts, religious and other important physical information.